I think I am prepared to die on the hill that this might be her best song... It is definitely the one from TTPD that I think struck me the most. Her ability to take a theme and turn it into a relateable song is why her peers, writers, fans bang the drum about what a great songwriter she is. What a tool that is and what a gift it is.
She introduced Peter Pan into the folklore era and the song Cardigan - when she teased the line 'try to change the ending, Peter losing Wendy' and followed it up with some nods in the corresponding music video. Cardigan the story of young love that died out and was part of a love triangle - Betty and August being the other two songs in the triology told from the perspective of the other two people in the triangle. Ultimately the guy was immature and was chasing two girls at the same time.
Fast-forward to TTPD, an album that depicts a wild 2-week period of her life where she (against a lot of public noise and eye rolling) rekindles a relationship with someone she had been with briefly many years earlier, spent (seemingly) many years wondering what if and finally now getting the chance to explore it, only for it to bomb in the space of a few weeks with him then ghosting her. Now we have that info, a lot of the stuff back in the folklore and evermore era make a lot more sense and strike a different chord.
But the song Peter on TTPD just checks all of my Taylor Swift boxes - stripped back soft vocals... piano... Aaron Dessner producing... sad... wonderful imagery and storytelling... and just great songwriting. And a top, top, classic Taylor Swift bridge.
https://www.youtube.com/v/Mxxswu7V1UsThere's nothing wasted here - every line telling a part of the story. He came back but he hadn't grown up. So many little references and call backs - on the face of it people will get it, but those who are into her 'lore' or discography get the bonus stuff she has layered in there.
That bridge is absolute killer for me.
And I won't confess that I waited, but I let the lamp burn
As the men masqueraded, I hoped you'd return
With your feet on the ground, tell me all that you'd learned
'Cause love's never lost when perspective is earned
And you said you'd come and get me, but you were twenty-five
And the shelf life of those fantasies has expired
Lost to the "Lost Boys" chapter of your life
Forgive me, Peter, please know that I tried
To hold on (Hold on) to the days (To the days)
When you were mine
But the woman who sits by the window
Has turned out the lightThis is straight into my top 5. I don't know if it's my absolute favourite but I think it might be her best song. Maybe. There's a couple on the Anthology I think are right up there - The Prophecy, How Did It End, Chloe or Sam or Sophia or Marcus are 3 that I think are some of the best she has ever done - absolute top tier TS. It's strange as the album is still so new but they are so strong and can sit alongside anything folklore/evermore produced if we are talking about that style of TS.